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Participation: 80%-99%
Play Time: 1:30 - 2:10
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Renaissance
Lachrimae Antiquae for Guitar Duo, John Dowland
PreludeAndFugue
1:36 Est. Play
Time
24 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
II Treble 24 1 4 8 97%
I Treble 17 1 2 8 89%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
II Treble 24 1 4 8 97%
I Treble 17 1 2 8 89%
 
Pavane. The Earle of Salisbury
Bartók forever
1:45 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Virginal Treble 14 3 3 8 97%
Treble 14 2 3 17 97%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Virginal Treble 14 3 3 8 97%
Treble 14 2 3 17 97%
Bass 18 7 2 6 89%
Bass 18 7 2 7 89%
 
La Feliciana | A. Banchieri
Die Viole
1:55 Est. Play
Time
72 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor (Tenor) Treble 12 0 2 6 100%
Violone (Bassus) Bass 12 0 3 5 99%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor (Tenor) Treble 12 0 2 6 100%
Violone (Bassus) Bass 12 0 3 5 99%
Soprano (Cantus) Treble 14 0 4 4 96%
Alto (Altus) 10 0 1 6 93%
 
Ballet
Bartók forever
1:41 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 20 14 7 7 100%
Bass 19 1 5 5 96%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 20 14 7 7 100%
Bass 19 1 5 5 96%
 
Josquin des Prez: Fortuna d'un gran tempo plus Spinacino
H. Gürtler
1:43 Est. Play
Time
49 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitar Treble 25 45 6 6 100%
Alto Treble 11 0 3 6 92%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitar Treble 25 45 6 6 100%
Alto Treble 11 0 3 6 92%
Tenor Treble 13 0 1 6 88%
Bass Bass 12 0 3 7 77%
 
Heinrich Isaac: Benedictus plus Spinacino
H. Gürtler
1:54 Est. Play
Time
57 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitar Treble 21 68 4 5 100%
Bass Bass 12 0 2 6 98%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitar Treble 21 68 4 5 100%
Bass Bass 12 0 2 6 98%
Tenor Treble 12 0 3 6 89%
Alto Treble 13 0 2 6 86%
 
O beata Maria (P. Guerrero)
rinirini
1:38 Est. Play
Time
49 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano Treble 9 0 0 6 100%
Alto Treble 12 0 1 6 98%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano Treble 9 0 0 6 100%
Alto Treble 12 0 1 6 98%
Tenor Treble 9 0 0 6 92%
Bass Bass 9 0 0 6 90%
 
Galliard 3, Francis Cutting
PreludeAndFugue
1:50 Est. Play
Time
64 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 22 17 3 6 96%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 22 17 3 6 96%
 
Almaine 16 [BW], Francis Cutting
PreludeAndFugue
1:52 Est. Play
Time
48 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 32 6 8 96%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 32 6 8 96%
 
Sinfonia à 4
Makoto
1:58 Est. Play
Time
30 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 0 5 6 96%
Bass 24 0 6 6 90%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 0 5 6 96%
Bass 24 0 6 6 90%